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The Music Room Portraits (音楽室の肖像画 Ongakushitsu no Shōzōga?) are tulpas who are formed from those who fear the portraits of the musicians in the music room at Kami High.[2] At an unknown time late at night, or at two in the morning, the Music Room Portraits will be summoned whenever someone plays horribly on the music room's piano and will try to kill them on the spot.

In Dandadan, the Music Room Portraits serve as minor antagonists during the Evil Eye Arc.

Members[]

Music Room Portrait Name Description Japanese Voice English Voice
Ninth Portrait (Anime)
Ninth
(だいく Daiku?)[1]
Height: 165cm (5'5")
Personality: Ninth presents himself as a speed freak, having commanded the other Music Room Portraits to speed up their music playing.
Kazumasa Nakamura
Bryce Papenbrook
Mozza Portrait (Anime)
Mozza
(もっさん Mossan?)[1]
Height: 163cm (5'4")
Personality: Mozza has a tendency of making dirty jokes.
N/A
N/A
Glasses Portrait (Anime)
Glasses
(メガネ Megane?)[1]
Height: 155cm (5'1")
Personality: Glasses has a father complex.
Yuichi Hoyo
Mick Lauer
Trainspotter Portrait (Anime)
Trainspotter
(おとてつ Ototetsu?)[1]
Height: 180cm (5'11")
Personality: Trainspotter has a love for trains, shown when he made sounds of an upcoming train while he and the other Music Room Portraits performed.
Michitake Kikuchi
Brent Mukai
Vanben Portrait (Anime)
Vanben
(バンべン Banben?)[1]
Height: 167cm (5'6")
Personality
: Vanben is short-tempered. He dislikes crude sounds being played in the music room that causes him and the other Music Room Portraits to appear and is driven to eliminate whoever is responsible.
Naoya Uchida
Kirk Thornton
Grandma Bach Portrait (Anime)
Grandma Bach
(ばばあ Baba?)[1]
Height: 171cm (5'7")
Personality: Dislikes hearing Glasses speak about his father and views himself highly.
Izou Oikawa
Kaiji Tang

Synopsis[]

Kintama Hunt Saga[]

Evil Eye Arc[]

The Music Room Portraits appear after the Turbo Granny plays poorly on the music room's piano at Kami High, which she blamed on Okarun and Aira to have them become the former's opponents for his training session. After casting Symphony No. 6, the Music Room Portraits commence their attack on the three with a barrage of explosive musical notes. With the explosions tilling the illusionary field, the Music Room Portraits manage to trap Aira and sends out the explosive musical notes her way. However, their attack is avoided after Okarun comes in to save her and become unable to land a blow on him as he found his sense of rhythm. The conductor of the Music Room Portraits is then eliminated and returned back to being a portrait by Aira after Okarun helps her to get in close. With the conductor gone, Music Room Portraits lose their ability to levitate and decide to counterattack with Symphony No. 9 where they have a mob of opera audiences attack Okarun and Aira. With Aira handling the army, the Music Room Portraits become faced with Okarun and are eliminated all at once. With all the Music Room Portraits returned back to portraits, Okarun, Aira and the Turbo Granny return to the music room.

Abilities and Powers[]

Symphokinesis [v · e]
The Music Room Portraits utilize music in various manifestations to combat against their enemies.
Music Room Portrait Symphokinesis
Levitation
Music Room Portraits Levitation
Ninth is capable of having himself and the other Music Room Portraits levitate while guiding them through battle.
Strengths and Weaknesses

This ability helps to distance the Music Room Portraits from their opponents to fight at long range and to avoid being attacked. Since Ninth is the one responsible, the Music Room Portraits will lose this ability if he is eliminated.

Usage

The Music Room Portraits uses their ability to levitate in conjunction with their musical notes, choosing to fight airborne while have their explosive musical notes rain down on their opponents.

Musical Notes
Musical Notes (Anime)
The Music Room Portraits are able to generate musical notes as an offensive attack against their enemies. If the Music Room Portraits are defeated, any damage done to the opponent by the musical notes will be undone as if nothing had ever happened, however, according to the Turbo Granny, the opponent would end up dead in real life if the damage is fatal.
Strengths and Weaknesses

The musical notes are capable of exploding upon coming into contact with anything. With the numerous notes being released by the Music Room Portraits, they effectively barrage their opponent and are extremely difficult to avoid if one does not possess immense speed and reflexes. While the notes mainly act as bombs, the rest notes in particular have the ability to render an opponent paralyzed and thereby leaving them vulnerable for the explosive musical notes to bombard them.

Usage

When placing the opponent within Symphony No. 6, the Music Room Portraits can use the explosive musical notes to till the paddy field environment and have the opponent trapped as a result of their feet being sunken into the ground.

Illusions
Music Room Portraits Illusions
The Music Room Portraits possess the ability to cast illusionary environments that work to their advantage when in battle. Like the musical notes, any harm inflicted to the opponent caused by the illusionary settings will be undone if the Music Room Portraits are defeated but will end up dead in real life if the damage is fatal.
Techniques
Symphony No. 6: Pastoral
(交響曲第6番 田園 Kōkyōkyokudai 6-ban Denen?)
An illusionary paddy field that makes it hard for the Music Room Portraits' opponents to move around due to their feet sinking to the ground the more they move. With the Music Room Portraits having the explosive musical notes rain down on the opponent, the paddy field becomes even more treacherous as the land becomes tilled by the explosions to increase the chances of the opponent's feet sinking down to the ground and become trapped.
Symphony No. 6 (Anime)
Symphony No. 9: Chorus
(交響曲第9番 合唱 Kōkyōkyokudai 9-ban Gasshō?)
An illusionary opera house filled with a chorus who overwhelms the Music Room Portraits' opponents with countless attacks from all around as an army. This illusion is resorted when the Music Room Portraits lose their ability to levitate as a result of their conductor being eliminated. While the army make their assault, the Music Room Portraits hide behind four giants that act as guards if the opponent manages to get through the mob.
Symphony No. 9 (Anime)


Urban Legend[]

The Beethoven Portrait Mystery, also known as the Portrait Beethoven Mystery in Japan, is a part of the famous “Seven School Mysteries” that are passed down in schools across Japan. This urban legend revolves around the belief that if one visits the music room at night, the portraits of famous classical musicians on the walls, including Beethoven, come to life in various eerie ways. The legend suggests that the eyes of the portraits may glow red, follow observers around the room, or even change expressions when not being directly observed. Additionally, there are claims that these spirits might play the pianos in the music room when nobody is present, with the sound serving as an omen of impending misfortune.

Chapter Appearances[]

Kintama Hunt Saga[]

[v · e · ?]
Evil Eye Arc
51. We Can All Stay There Together! Absent
52. The Hayashi Performers Are Here Absent
53. We Became a Family Absent
54. Get a Part-Time Job Absent
55. Moe Moe Tri-Beam Absent
56. Feeling Kinda Gloomy Absent
57. Scary Dudes at School Debut
58. Symphony No. 6 Appears
59. Symphony No. 9 Appears
60. You Can Do It, Okarun! Appears
61. The Evil Eye's Briefs Absent
62. I Want to Rebuild the House Absent

Anime Appearances[]

[v · e · ?]
Season 2
13. Like, This is the Legend of the Giant Snake Absent
14. The Evil Eye Absent
15. You Won't Get Away With This! Absent
16. That's, Like, Way Deadly Absent
17. We Can All Stay There Together! Absent
18. We Became a Family Absent
19. Feeling Kinda Gloomy Debut
20. You Can Do It, Okarun! Appears
21. I Want to Rebuild the House Absent
22. The Secret Art of Being Attractive Absent
23. Hey, It's a Kaiju Absent
24. Clash! Space Kaiju vs. Giant Robot! Absent

Trivia[]

  • Tulpa are a type of materialized being originating from Tibetan Buddhism, but became a core principle of Theosophy. They are effectively living, imaginary friends.
  • The composers the Music Room Portraits take after are as listed:
  • Vanben's furious attitude towards the sound of unpleasant music can be considered ironic given how the composer the tulpa resembles was known to be deaf.
  • While Grandma Bach is based on Johann Sebastian Bach, an incorrect portrait of George Frideric Handel is shown in Episode 20 after Grandma Bach's defeat.
  • In episode 20, the Music Room Portraits' abilities are changed from the manga, allowing them to levitate even when Ninth is defeated.

References[]

  1. 1.0 1.1 1.2 1.3 1.4 1.5 1.6 Dandadan Manga: Volume 8
  2. Dandadan Daizukan Page 188

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